It's nice to hear something different and Kanye not really giving a *** what critics think so I'll say this is definitely worth listening too.Įveryone, I'd like you to meet the emotionally fragile and digitally enhanced Kanye West. While yeah the auto-tune vocals can get annoying the beats are solid, the melodies often are too and the lyrics range from okay to great. But where Kanye doesn't quite make good with tracks such as 'Street Lights' and 'Amazing' there are at least interesting ideas in each and throughout the whole album. It's a pity the whole album can't be so solid. The vocals are more natural here and the mechanical sound effects provide a good hook in the chorus. Hmm? Well yeah I'm not sure why, it's probably the upbeat string section coupled with the fast pacing. Following that is 'RoboCop' which again conjures up thoughts of another band (and lazy blogging) this time Arcade Fire. The auto-tuned faced paced vocals really suit the music here as well and it shows what this version of Kanye is capable of. 'Paranoid' is one of the best things here and it really reminds me of earlier Cut Copy stuff, the 80s synths and the quick beat are great. It's all pretty obvious but it's a fun break up tune. The melodies are stronger and the lyrics focused more on Kanye's ex. 'Heartless' is more upbeat and rides again on the auto-tune train with some smooth bass and snazzy piano chords.

It sucks that he can't keep the lyrical standard this high throughout the whole album but it's nice to see a more vulnerable side shining through in his work at least occasionally and to be fair this is quite an emotionally honest album. 'My friend showed me pictures of his kids/and all I could show him was pictures of my cribs' mourns Kanye coupled with a dark and reverb drenched atmosphere. 'Welcome to Heartbreak' is a lot better with some of the album's best and most heartfelt lyrics as Kanye ponders the nature of his success compared to those around him. It at least succeeds at setting up what the rest of the album is going to sound and feel like. It might have worked if it were cut shorter but the minimal glitchy beat with soft tribal drumming can't really sustain some weak melodies from Kanye's computer enhanced vocals.

Things start off slightly awkward though, with the 6 minute long 'Say You Will'. Maybe at least to satisfy their curiosity. Sure there are missteps and I could see why people wouldn't dig it, but as a pop album it's something I think people with a passing interest should look into. The good thing is that 808s and Heartbreak is actually decent, it surpassed my (low low low) expectations and it's at times sad, fun, different and for the most part, enjoyable. Initial single 'Love Lockdown' was good, something different and something I could get on board with but a whole Kanye album full of auto-tuned vocals is a different story. Review Summary: Kanye's latest effort proves to be his most daring and experimental to date.

808s and heartbreak review